Fujifilm X20 12 MP Digital Camera with 2.8-Inch LCD (Silver)..
Buy Fujifilm X20 12 MP Digital Camera with 2.8-Inch LCD (Silver) By Fujifilm
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399 of 413 people found the following review helpful.
By Eric Slay
I am a professional photographer and a previous owner of the Fuji X100. The reason I got the original Fuji, and then this x20 was that I wanted to have a nice looking camera I could take with me on trips, etc. that would take great pictures without weighing a ton and being a huge cumbersome burden (like my 5dmk3).
Other than the great looks, I wasn't a big fan of the X100. It had so many glaring flaws that I returned it after a week of use. I am happy to say that this x20 model has addressed most of the issues that made the x100 such a pain. Rather than go into them specifically, I'll just give you my thoughts on this new model.
First, and foremost, the camera takes amazing pictures. This is not an overstatement. I have used all levels of point&shoot cameras over the years and this one is the first to really produce SLR-like quality in a small form factor. The pictures are sharp, the focus is accurate, and the colors are rich. Another way of putting it is this: there are always tell-tale signs that pictures are shot with a P&S camera: too sharp, too much contrast, too vibrant, etc. This camera produces these qualities (sharpness, contrast, vibrance) through great optics, NOT through in-camera processing. It's the real-deal, and you can see the difference.
The build quality of the camera is fantastic. It is sturdy, made primarily of metal, and feels great in my hands. Most important controls are easily accessed with dedicated buttons. I especially like the +2 to -2 exposure control dial on the top. This is something that I use all the time on my SLR and something I think a lot of non-pros could benefit from. When the sensor is tricked by backlight, just dial it up, when things are too bright and getting blown out, just dial it down. It's easy and fast and it's second nature to use for me.
The only control that I think is left out is a thumb controller for the focus point. As it currently is, you must press the AF button (on a wheel with macro, flash, and timer) and then scroll around to change the focus point. It's not a deal-breaker, but it would have been nice to have an 8way dedicated thumb controller for the focus point. I change my focus points constantly, and I just can't do it as fast as I'd like on this model. On top of this, when you look through the eyepiece, which you should be most of the time, you can't change it. You need to take your head back and look at the back of the camera.
I also love the variety of modes the camera has. There are so many that I haven't been able to master the benefits of each setting yet. Here's a brief synopsis:
P, S, AE, and M are the usual suspect that all cameras have.
SR is an advance auto mode that determines the best settings based on the scene. It even shows its predictions, so you can see if it is accurately assessing the situation. From my experience, it's startlingly accurate. It chooses from: landscape, night, tripod, beach, sunset, snow, sky, greenery, and sky & greenery. Having these settings on a camera is old news, but having the camera predict the scene itself and do so with great accuracy is a pretty exciting advancement.
Adv. Advanced lets you make some stylish choices and make your pictures look a little Instagram-ish. I'm not a huge fan of this kind of thing, but I suspect many people will be. The choices are: toy camera (lomo), miniature (tilt-shift), pop-color, high-ley, low-key, dynamic tone, soft focus, and a handful of partial-color masks (everthing BW except reds, etc.).
In this mode, I LOVE the tilt-shift (miniature) setting. I used to own a $1600 tilt-shift lens that I'd pull out once a wedding and use, but sold it because I wasn't using it enough. Now I've been using this and getting the greatest results.
Motion Panorama: an onscreen guide steps you through making a panorama.
Pro-Focus: the camera takes 3 pics and then softens the background to make a portrait-like shot. This actually works better than you'd expect, but I don't use this feature to take portraits.
Pro-Low light: This combines 4 pictures of poorly-lit subjects and combines them. The problem with this and Pro-Focus is that if your subject moves (and they always are, even if just by breathing), it doesn't work well.
Multiple Exposure: You can use this to combine several pictures into one. For example, you can take a picture of the moon, then recompose your shot, and place that same moon in the sky over a cityscape. I've used this to create ghost-pictures to scare my kids.
SP (Scene-Position): This is your standard setting where the user gets to choose what their shooting. The choices are portrait, portrait enhancer, landscape, sport, night, night (tripod), fireworks, sunset, snow, beach, underwater, party, flower, and text.
And finally, there is the macro mode, which is excellent. It is so good, in fact, that I am selling my macro-lens that I use for ring shots because I can actually get results just as good (possibly better) using this camera. And, because the looks of the camera are non-point&shoot looking, I can pull it out on the job and nobody blinks an eye.
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In summary, I think this is a terrific alternative for a bulky SLR. If you're a pro, I think you'd be happy to let this little camera take the place of your SLR on trips to the park, the beach, or on vacations with your family. If you are a hobbyist or family-shooter, I think you should definitely consider this over (or in addition to) a SLR because the best camera is always the one you have with you. If your SLR is too heavy, you'll leave it at home and then all you'll have is iPhone pictures.
I hope you found this review helpful. If so, let me know! I'd be happy to answer any questions you have. :)
164 of 175 people found the following review helpful.
By John Williamson
Fujifilm is a fascinating photo and imaging manufacturing company, a survivor in a world where we've witnessed the demise of such cameras as those from Minolta, Konica, Yashica, Contax, Topcon, Bronica and too many more to mention here. The company has survived largely because of good business practices and listening to the needs of photographers.
The Fujifilm X20 is a camera in which I had been highly interested since the release of this and the Fuji X100s early this year. I had looked seriously at the Fujifilm X10 last year, but there were some subjective needs that for me it didn't meet, so it was passed on. I'm glad that I waited, as the number of improvements over the X10 is quite large. There are said to be about fifty improvements that have been made, but in all fairness, I won't get into a Fuji X20 vs. X10 comparison here, as my experience with the earlier model was limited to just a few days use.
Getting right down to the subjective points, followed with a more detailed look based on personal use, here are my basic observations.
◆ Pros:
+ Excellent retro design; solid build quality coupled with good contemporary ergonomics
+ Sharp 4x optical zoom; comfortable 28mm to 112mm f/2.0- f/2.8 equivalent, image stabilization
+ Has a 7-blade aperture diaphragm; contributes to excellent bokeh effects
+ EXR Processor II dual CPUs; cold start-up time about ½ second, super-fast sequential shooting
+ Near-instant autofocus; virtually no time lag when the shutter button is pressed
+ New 2/3-inch X-Trans CMOS II sensor; 12MP, offers excellent image quality
+ Hybrid AF; autofocus instantly switches between high-speed phase detection AF and contrast AF
+ Front focus selector dial; AF-S (single autofocus), MF (manual), AF-C (continuous autofocus) modes
+ Advanced OVF; optical viewfinder offers exposure info overlay via Digital Trans Panel, 85% coverage
+ 2.8-inch color LCD monitor; approximately 460,000 dots, 100% coverage
+ Excellent ergonomics; rational array of controls, easy to master
+ Rechargeable NP-50 Li-ion battery; averages 190 - 220 shots per charge depending on settings, actual
+ Full manual exposure plus Program, Aperture- and Shutter priority modes and more
+ Uses readily-available SD, SDHC and SDXC memory cards; full support
+ RAW (RAF format) support; also offers JPEG and RAW+JPEG
+ ISO range is 100-12800 (in Auto); control available up to ISO 3200
+ Excellent ergonomics; raised grip area on the body with a thumb rest, add to handling
+ Threaded socket on shutter button; allows for threaded cable releases, soft shutter buttons
+ Made in Japan; all of Fujifilm's X-Series cameras are made in Japan
+ Built-in advanced filters; allow a choice of 8 artistic effects
◆ Cons:
- Battery life could be far better
- Wish this camera would go to 24mm wide angle
- Picky point: the X20 lacks a built-in neutral density filter
◆ First Impressions:
The X20 came well packaged in a distinctive black box, and from the moment it was opened and taken out, the feel of a solid, precision camera was quite apparent. This is truly a camera for advanced users, or pros looking for a good backup or weekend camera. It's crafted from a die-cast magnesium alloy, and the ergonomically placed mode dial and zoom ring are milled from solid aluminum. The professional feel is there, and is reminiscent of its more costly brother, the Fujifilm X100S, and along with its overall retro styling is a small engraved "Fujinon Lens System" logo on top, reminding us of some of the classic 35mm rangefinder cameras of the past. And on the rear, just to the lower right of the LCD screen, is the discretely engraved "Made in Japan" note in white letters against the black of the camera body.
Followed the directions in the printed instruction manual and charged the battery for about two hours while reading and going through the box contents. The X20 came packaged with the following:
● Rechargeable NP-50 Li-ion battery
● BC-50B battery charger with US plug attachment
● Shoulder strap with protective pads
● Triangular strap clips & attachment tool
● Lined push-on metal lens cap
● Proprietary USB cable
● CD-ROM (with MyFinepix Studio 4.2 viewer software, RAW file converter, etc.)
● 141-page owner's manual (1-Egnlish, 1-Spanish)
● Fujifilm USA warranty directions
There's something to be said for Fujifilm's attention to detail with this camera, as they've supplied a small plastic attachment tool with the triangular strap clips. That means no more scratches on the body or broken fingernails while attaching the camera strap clips. The BC-50B battery charger indicator glows steadily when charging, and cuts off when the battery is topped up. I put the USB cable in a safe place (it's proprietary, so don't lose it), and once the battery was fully charged, inserted a Class 10 SDHC card and took the X20 out for a trial run to get a feel for it.
◆ The X20 in Use:
Following the instruction manual, I did some preliminary setups, setting the camera to its Quick Start mode from the Fuji X20's power management menu. The first thing that I noticed was the exceptionally fast start-up time, which only took about ½ second. Shutter lag is almost nonexistent while in this mode, and on top of that, the autofocus is incredibly quick, perhaps the fastest that I've ever encountered. Technically this is due to the X20's built-in phase detection and its "Intelligent Hybrid Autofocus system," but from a practical perspective of a user who could care less about specs with an eye in the viewfinder, this is exceptionally good for action photographers and street shooters.
Speaking of viewfinders, the X20 has an excellent and highly useful optical viewfinder, one that's far more functional than my older Nikon P7100 and many other similar cameras. The optical viewfinder shows 85% coverage continuously, which is fine, and there's a diopter adjustment which is good for those of us with corrective vision. But it also has a Digital Trans Panel that shows highly useful information, such as aperture, shutter speed and focus area. There's a sensor next to the optical viewfinder that automatically senses when the camera has been lifted to the eye, and it turns off the rear LCD screen when you do so. It took a few minutes to get used to this, but after awhile I found that I was using the optical viewfinder far more than I ever did with the Nikon P7100, which was a surprise. It's also good when you have a sun in the face shooting situation.
The X20 has a 460,000 dot, 2.8-inch TFT LCD screen. It's a decent screen that's bright and clear, enough so that it deals with reflections and glare fairly well. This high-contrast screen has a wide viewing-angle, and makes dealing with its excellent GUI menu system easy. That said, it's slightly disappointing that it doesn't have the +920,000 dot 3-inch LCD display found in the Nikon P7700 and other premium compact cameras currently on the market. It's not a show-stopper, but a subjective consideration.
As expected, the camera offers complete PSAM control along with other settings from the top mode dial near the shutter button. There's a good sized exposure compensation control to the right of the mode dial, useful when taking photos of very bright, dark or high-contrast subjects, which offers ± EV in one-third increments. On the front is the front focus selector dial, offering AF-S (single autofocus), MF (manual), AF-C (continuous autofocus) modes. There are plenty of other controls on the camera, each offering specific ways to manage various settings and options.
In regular use, I found a mild irritant in that the X20 powers down automatically after a few minutes. When this happens, you have to twist the on/off mechanism on the collar surrounding the lens barrel to turn it on again. There is a workaround: go to the menu, and find the standby mode. Setting this means that you can have the camera wake up by gently depressing the shutter button, which is quite practical if you're often in this situation.
There's a Q (Quick Menu) button next to the menu controls, and it's quite handy. It displays the most frequently accessed settings on a single screen so that you can quickly navigate to each setting individually and use either scroll wheels to change the value or function of the setting. This made access of the various functions such as ISO settings, white balance, dynamic range, image size and such to be far easier than exploring the camera menus. Tried various shots accessing trying film simulation, the different metering settings and such, all as part of the learning experience. This shortcut method is far better than digging into the viewfinder menus to access the various features. Some magazine reviewers have suggested that it might be better if the X20 had a touch screen so that one didn't have to scroll around the quick menu, but I disagree. If you own a smartphone or tablet, such as a Kindle Fire, just imagine those same streaks and smudges on the screen of the camera. Simply put, the small Quick Menu button, along with the programmable Fn (Function) button on top, quickly became my allies.
◆ The Lens and More:
I've been a fan of Fujinon since my 4x5 view camera days when I owned a superb Fujinon 90mm f/8.0 SW lens, and it's good to see that the same attention to detail found then has carried through onto the X20. For the technically minded, its 4x optical zoom is made up of 11 glass elements (not plastic) in 9 groups, including 3 aspherical lens elements and 2 ED lens elements, with a proprietary HT-EBC coating applied to control flare and ghosting from appearing on images. It's also image stabilized, which helps for low light shooting without a tripod.
What this means to you and me is that we have a metal barreled lens that performs beautifully, offering sharp, clear images throughout its entire range. The zoom action is smooth, and it offers both a Macro and Super Macro mode, allowing you to get as close as 0.3" from your subject. The lens incorporates 7 diaphragm blades which enable you to create a good-looking soft 'bokeh' effect to make your subject stand out from the background perfectly, especially at the f/2.0 aperture setting. At 28mm you have a maximum aperture of f/2.0, and its f/2.8 at the 112mm telephoto end, so the lens is plenty fast.
You might find the occasional compact digital with a 4x lens that's as good as the one on the X20, but you'll be very hard pressed to find one that's better, at least not yet.
Regarding image performance, the colors produced in images are pleasingly saturated without being overdone. The standard color setting (Provia) is good for most situations, while for portraits you may want to play with the Astia color setting, which renders images with a softer look for better skin tones. The Velvia emulates a more saturated fine-grained slide film, which is the choice of many nature and landscape photographers but you should explore these film emulations to see which is best for your shooting.
The X20 has an increased sensitivity ISO range going to ISO 12,800, but for best results, you may wish to stick between ISO 100 and 800. At ISO 1,600 you'll begin to get soft details with some grain present, and beyond ISO 3,200, contrast drops and noise becomes noticeable. These are subjective observations, and your level of acceptability may be different.
A full 360° panorama can be shot, and the panoramic options can be found in the Advanced mode.
The Advanced Filters selection offer a choice of eight artistic effects, and you can preview the effect on the LCD monitor before you press the shutter button. These filters cover High Key, Low Key, Soft Focus, Toy Camera (with shaded borders), Miniature, Pop Color, Dynamic Tone, Partial Color (retain one color and change the rest of the photo to b&w), along with multiple exposure. Have not fully explored all of these filters, but the High Key and Dynamic Tone filters are surprisingly creative for in-camera work.
Video performance of the X20 was good, and resulted in sharp details and excellent colors, though I'll admit that I'm an infrequent video shooter and easily satisfied in this regard. The continuous autofocus on the X20 performs well with a gradual transition from close to infinity. You can shoot 1920 x 1080 Full HD videos, and the onboard stereo microphone also picked up ambient sounds clearly. There's a movie setting on the mode dial, but be aware that there is no dedicated video button.
There's a built-in automatic flash (referred to as the "Super intelligent Flash"), and for snapshots and the like, it works fairly well. You slide the pop-up switch on the rear of the camera, then select from a variety of modes from the selector to the right of the menu button, such as Auto, Forced Flash, Suppressed Flash, Slow Synchro and Red-eye Removal. It does a reasonably good job, and the built-in red eye works well. If you're serious though, you may want to look at a more powerful flash to mount onto the X20's hot shoe.
◆ Other Observations:
The battery life for the X20 is listed in the specs as being approximately 270 frames, but if you're a heavy user, especially if you have the camera configured for performance shooting, you may find that you get somewhere between 190 and 220 actual shots. During one session taking rapid sequence shots, the battery warning indicator came on at ~150 shots. This is not surprising for this or most other digital cameras, and luckily the Fujifilm NP-50 Li-ion Rechargeable Battery is readily available and worth getting as a backup. Owners of other Fuji digital cameras may already have this battery, as it's the same one that came with my older Fujifilm F300EXR, which is still in service. In any case, it's highly recommended that if you go for this camera, get yourself this backup battery.
The zoom lens is threaded for Ø40mm filters and accessories, and don't make the mistake of ordering a Ø40.5mm filter. That half a millimeter does make a difference, so if you want a UV or protective filter on the front of the lens be sure to get the 40mm size. The other option would be to go for the Fujifilm Lens Hood LH-X10, a two-piece unit that screws into the 40mm threaded end, yet allows for a vast array of commonly available Ø52mm filters... and Nikon DSLR owners probably already have a number of these.
If the Fuji LH-X10 is a bit rich for your blood (check the price), the Lens Hood LH-JX10 for Fuji X10 with Lens Adapter is a perfect replacement at a far lower cost, and it accepts Ø52mm filters just like the original LH-X10. I bought this along with a Fujifilm Camera Lens Filter PRF-52 Protector Filter (52mm), and both are on my X20 right now.
I looked at considered a number of case options for the X20, and while there are some nice retro-look leather cases by Fuji and others, found that the Think Tank SubUrban Disguise 5 Compact Shoulder Bag was perfect for my individual needs, as can be noted in my review of bag. It holds not only my Fuji X20, but my Nikon P7700 as well, where either could be grabbed easily and quickly on a moment's notice for fast street photography or action shooting. This solves the problem of where to carry spare batteries, my Android phone and other essentials, along with protecting all against an accidental rain shower.
Speaking of retro, there's a slightly-overlooked feature, and that's with the shutter button. Look closely and you'll see that it's threaded like the old 35mm rangefinders from years ago. This means that if and when you're using the X20 on a tripod, you can employ a mechanical cable release time exposures or for macro photography. There are many different one available here. You can also use a soft shutter release button that screws into that same threaded socket for greater control. It's a nice touch.
To be honest, I did not install the MyFinePix Studio software that comes on the CD. For some it may be a decent, basic way of importing and viewing your photos to your computer, but I cannot offer an opinion. For Adobe users, Camera Raw 7.4 and DNG Converter 7.4 became available as a final release on April 2nd, 2013 as announced by Adobe's Lightroom Journal. The good news for Adobe users is that among others, this upgrade specifically impacts the Fujifilm X20 and the X100S. If you use Adobe software, you know what to do, and enough said on this.
If you want a small point-and-shoot digital camera that slips easily in a pocket, this isn't it. The X20 will fit in many large coat pockets, but is best carried in a bag, a case or around your neck, ready to shoot. The strap might be worth replacing, as its non-slip pad actually chafes the neck if you're wearing a short sleeve or t-shirt in warm weather. This became an annoyance during the first warm day of shooting this spring.
If asked to recommend a better digital camera to advanced enthusiasts, pros looking for a DSLR backup, or amateur photographers wanting to break into street photography, this would be a good choice. And if I had to personally pick one as a sole camera for weekend travel photos, this would be within the top of a very narrow list.
Note: this review will be 'dynamic' in that as other findings with the use if the X20 will be noted here. Major notes and additional resources will be noted in the comments.
◆ Update 5/10/2013:
After putting the X20 through its paces with thousands of images since it was received, I've ordered a total of three extra Fujifilm NP-50 Li-ion rechargeable batteries as noted in the link above. These have settled down to giving about 200 to 230 exposures per charge. I did order and try a lower-priced third party battery, and after three charge cycles, that battery was only giving 120 to 130 shots. Trashed that one.
Also found that the SanDisk Extreme Pro 8 GB SDHC Class 10 UHS-1 Flash Memory Card with its 95MB/second write time proved to be perfect for sequential high-speed no-lag shooting. This size outlasts the batteries, but there are larger sizes available. Just remember to format it within the camera, and not on a PC or Mac.
Also see the comments here for additional findings, and yes, I do respond to questions as can be seen there.
◆ Update 5/23/2013:
★ Firmware Update Notice ★
On 5/16/2013, Fujifilm Global published its X20 Firmware Update Ver.1.02, a standard procedure for digital cameras where the user can update the camera. This firmware update is only for the X20, and does not apply to the X10 or any other models. You'll find details on this update in the comments section to this review on this date as outside links cannot be posted within the body of the review.
◆ Summary:
The Fujifilm X20 is one of many in a growing field of advanced digital compact cameras, and the competition continues to grow. But Fuji has been good in listening to the photographers' needs, and along with the new Fujifilm X100S, we see generational cameras that are more evolutionary than revolutionary. The +50 improvements in the X20 over its predecessor back this up. The Image quality and resolution we find here push it up to class-leading levels, and few can offer a better lens and sensor-size combination. Image quality and a multitude of user options are half the reason that I personally find the X20 to be so good; superb performance and excellent ergonomics make up the rest.
4/8/2013; Updated 5/10/2013, 5/23/2013
217 of 237 people found the following review helpful.
By William Grose
I must admit. I'm a tad spoiled as my wife has been using the absolutely fantastic Sony DSC-RX100, so I figured I'd do a little comparison between the RX100 and X20, with some standalone thoughts on the X20.
First, the X20 is a very attractive camera, because it captures that retro look very well. On the flip-side, you could take out the X20 at a party and easily convince everyone you bought it in 1985. That's a good thing or a bad thing depending on your standpoint. :-)
Anyway, the build quality is excellent. This is a solid-feeling camera, much more so than the Sony RX100. However, that solidity comes with some seriously more weighty... weight.
Weight:
Sony DSC-RX100 with battery = 8.5oz
Fujifilm X20 with battery = 12.7oz
That means the Fuji is a hair under 50% heavier than the Sony, and it's quite noticeable.
Dimensions:
Sony DSC-RX100 = 4 inches (w) x 2.3 inches (h) x 1.4 inches (d)
Fujifilm X20 = 4.6 inches (w) x 2.7" (h) x 2.2" (d)
That dimensional difference, too, is extremely noticeable. The additional weight and size means you're not carrying this on your person unless you have very baggy pockets. The lens sticks out considerably further on the X20 contributing to this.
That said, the Fujinon lens on the X20 is excellent, - an absolutely joy to use. This camera is much, much easier to attain dreamy bokeh on than the Sony, due to the much wider aperture at full zoom (f2.8 on the Fuji vs 4.9 on the Sony). In this regard, the Sony can't touch the Fuji, despite the Sony's much larger sensor size (double the Fuji's!). Also, quite niftily, you can attach a 40mm-to-52mm ring adapter to the X20's lens, thus enabling you to use all manner of cheap UV, polarizing and neutral density filters etc. Awesome.
I'm using this one, personally, and it works just great because it works as a lens hood, too: EzFoto 52mm Filter Adapter + Lens Hood for Fuji X10, with a free lens cap
The X20 has a manually-activated flash that pops straight up and points dead ahead, unmoving. The Sony RX100 has a shutter-activated flash, and has the outstanding ability of being able to be pointed up to the ceiling and used as a bounce flash (as well pointing straight ahead). While it's not a blazingly-poweful light, in a pinch it works great in relatively small rooms, and portraits have turned out infinitely better than a head-on flash using this feature. I was surprised to be able to do this, but it's such a great little feature! I wish the X20 worked similarly.
In terms of menus etc, neither the Sony nor the Fuji have particularly intuitive interfaces, and both have a learning curve before you'll feel anywhere near adept. The nod has to to go the Sony, though, as the menus feel quite modern and.. swish. The Fuji's menus aren't terrible, but I found myself quite a bit more frustrated trying to navigate around them. They're just quite clunky.
The X20 has two dials on the top of the camera. One is for your typical pictures modes (aperture/shutter priority, manual, special picture modes etc), and the other, inexplicably, is an exposure compensation dial from -2 to +2. I was surprised that Fuji dedicated a dial to this one feature, and assumed there would be more uses for the dial that I'd discover by digging through the manual. Nope. Page 49 says the following:
"Use exposure compensation when photographing very bright, very dark, or high contrast subjects."
That's it. A whole dial (described in just a single sentence in the manual) dedicated to one thing that could easily be accessed via a shortcut menu. Crazy!
On the plus side, the X20 has a viewfinder - yay! While it's only an 85% viewfinder (you'll have some image around the edges that you'll see in post-process that you don't see through the viewfinder), it works "OK" (see March 27 edit, below), but does show you plenty of useful information (iso, f/stop, shutter speed). It's great to be able to keep your eyes through the viewfinder and change settings once you learn the controls. Good stuff. It can sometimes be a bit tricky to focus your eyes on the projected text in the viewfinder, though, but you tend to get used to it.
The X20 features 49 selectable focus points on the LCD, and I found each and every one of them to be very accurate.
While the RX100 and X20 both have panorama functionality, I found the RX100's to be superior, with less erroring between frames when they're stitched together. Both do a great job, though.
The X20, sadly, does not have an HDR mode built in that I could find. This is an extremely useful feature, and I've seen some absolutely fabulous, natural-looking HDR'ed shots from the RX100 that, sadly, won't ever come from the X20.
The X20 shoots at 12fps, which is two more than the RX100's 10fps. Both are blazingly fast, though the RX100 is shooting 10fps at 20MP, whereas the X20 is shooting 12fps at only 12MP. I need to spend more time comparing files from both cameras, but you won't be disappointed by the images from the X20, that's for sure.
The X20 has an absolutely fantastic macro mode, letting you get as close as 0.4 inches away from your subject. It's truly excellent for the dreamy-bokeh lovers out there, because the subject separation is stellar.
Overall, in my initial testing, the X20 is a super camera. It's not the game-changer the RX100 is (sensor size and variety of features in such a small package), but what you do get is a superior lens, no optical low pass filter - for crispy photographs, an actually usable viewfinder, 12fps, superb build quality, and delicious, delicious bokeh! If you're cross-shopping the RX100 and X20, it's certainly a tough decision. If fitting a camera in your purse or pocket is important, the RX100 wins hands down. For build quality? The Fuji. Photo quality? Well... I won't jump to any conclusions until I've had more time to test (this review will be updated!). So far, though, the X20 seriously impresses.
Only the menu-system learning curve and inexplicable exposure compensation dial nag at me, but this camera is still full of win.
5 stars out of 5.
*EDIT March 27, 2013*
More time with this camera has shown that it really is a competent shooter, and here are a few more tidbits:
1.) ISO3200 is the highest attainable when shooting in the RAW format vs 12800 in JPEG. Not a big deal in my experience. ISO800 and 1600 are quite pleasant, but the jump from 1600 to 3200 is really significant in terms of the difference in noise. ISO800 and ISO1600 add a pleasing (dare I say it!) noise grain to the image which is not objectionable, whereas ISO3200 just turns things a bit muddy at the pixel level, especially in really low light or with dark objects.
2.) At the time of typing, you need Adobe Photoshop Lightroom 4.4 Release Candidate to process the RAWs from the X20. Not a problem.
3.) There is no "real" indication of focus point when looking through the optical viewfinder. A large green box will appear to show you the "rough" approximation of where the camera is focusing, but it's simply not good enough, especially for macro photography. That means that while you may have set the focus point to the top left of the image, you have no way of knowing exactly where that focus point is when you're looking through the viewfinder because the box shown through the VF is so vague. This is actually a pretty significant shortcoming. The camera lets you actually shrink the focus points down on the LCD using the main command dial (for more precise focus on an object), but there's no indication of this through the viewfinder; the giant green rectangle still shows you roughly, but not exactly, where you're focusing. Not good enough, in general, but I think it's "good enough" for just using the center point. If you're shifting the focus point, stick to the LCD and don't bother with the VF.
4.) 9fps is the max when shooting in RAW, and 12fps is the max shooting JPEG.
5.) The X20 has the rather nifty feature the Sony RX100 has, and that is the focus->recompose feature (Tracking Autofocus). With the RX100 and X20 you can have the focus point dead center on the LCD, and lock it on whatever object you want to be in focus. Then you can move the camera (recompose), and the square will stay on the object you're trying to have in focus (yes, the focus square will shift position on the LCD). Essentially it's a focus->recompose tool where the recomposing still maintains perfect focus, and it works excellently!
6.) Bokeh really is excellent with this lens. That can't overstated.
7.) You can see the lens through the viewfinder at 28mm, but at around 42-43mm the lens is no longer visible.
8.) It's quite easy to change f-stop by mistake with the command dial or sub-command dial, so keep your fingers away from there. Those dials rotate VERY easily (especially the sub-command dial).
9.) Any case that works with its predecessor, the Fujifilm X10, will work with the X20. I bought this one on Amazon, and it works perfectly!
Ever Ready Black Leather Case Bag for Fujifilm FinePix X10
Yes, it says X10 (subtly indented into the leather rather than obviously emblazoned in some funky-colored stitching), and since there are no specific X20 cases available yet (as of this edit), this a great clone of the Fuji official case.
*EDIT* April 18, 2013:
Still really enjoying this camera. The battery life I've found to be not great, though, so be sure to pick up an extra battery if you want to get more than a few hundred shots while you're out and about.
In the comments for the review, it was brought to my attention that Marumi makes a 40mm filter that does fit the Fuji X20. Marumi 40mm DHG Lens Protect Filter for Fuji X10 -40mm- (Made in Japan) This will work great, and has the added benefit of you being able to put the lens cap back on, too (though not quite as snugly). The downside is that you lose the hood functionality the 40mm->52mm adapter gives you, and that the filter choice is not as great at the 40mm size. For example, I haven't been able to locate a 40mm (40.5mm will not fit) neutral density filter. Boo!
While I linked a cheaper, third-party 40mm-52mm hood/adapter earlier in the review, Fujifilm makes their own 40mm-52mm hood/adapter, but it is more expensive. I'm including it here for reference, though:
Fujifilm Lens Hood X10 for Digital Camera
*EDIT* May 13, 2013
1.) I didn't mention this in the original review, but the X20 has a lens cap that must be removed before taking photos. You can always leave it off when the camera isn't in use, but that isn't recommended since you want to protect that excellent Fujinon lens. Conversely, the RX100 has an integrated electric cap that opens and closes on the lens when you turn the power on/off. In terms of convenience, the RX100 is hard to beat, though some might not find the "manual" lens cap too bothersome.
2.) If you're left-eye dominant (i.e. you look through viewfinders with your left eye), you'll be able to rest the X20 against your nose like you do on an SLR, - when using the viewfinder. This is great for steadying shots. However, if - like most people, you're right-eye dominant, your nose will stick out to the left of the camera, and so doesn't help you steady the shot at all. Boo!
3.) The build quality of the X20 really is excellent. While my love for the RX100 is no secret, it doesn't hold a candle to the solidity that comes with the X20. The more I use both cameras, the more I appreciate that about the X20.
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